Forniture and the interior decoration are without doubt an aspect of the taste of a period, as a manner chosen by human beings to live in their own homes. We remember the name of the English Archited Robert Adam and at once the elegant slightness of New Classicism faces to us, of Pompeo origin with his pieces of furniture, manufactured with blond woods and with light cloths. In the same way if we pronounce the name of the Lombard Maggiolini, loved even by Napoleon, we have to refert at once to furniture with geometrical line, well proportioned in their module, fixed on the square produced with warm and dark woods, with fine marquetries of coloured woods and gradual decoration. We go from the brightness of the decoration Venetian stile furniture, to the ornamental carving which brings again to the Baroque, till to arrive to the absolute magnificence adopted by Mr Piffetti.

The piece of furniture becomes therefore the mirror of how the men live and live, with their aspiration, their contradictions and their ideals. The Luigi XIV, XV, XVI style, Empire style, Venetian Baroque, Italian Baroque will be the artistic route of Bruno Vicentini, from which he drew costruction teaching to purpose them again in the actual society to those people, who feel attracted from such important pieces, which have created the styles during centuries.